- ELAGSE11-12RL7 Analyze multiple interpretations of a story, drama, or poem (e.g., recorded or live production of a play or recorded novel or poetry), evaluating how each version interprets the source text. (Include at least one play by Shakespeare as well as one play by an American dramatist.) Georgia
- ELAGSE9-10RL7 Analyze the representation of a subject or a key scene in two different artistic mediums (e.g., Auden’s poem “Musée de Beaux Arts” and Breughel’s painting Landscape with the Fall of Icarus), including what is emphasized or absent in each treatment. Georgia
- ELAGSE9-10RL9 Analyze how an author draws on and transforms source material in a specific work (e.g., how Shakespeare treats a theme or topic from Ovid or the Bible or how a later author draws on a play by Shakespeare). Georgia
Students will put on a play to display their knowledge of the Iliad.
We’re going to start the day by watching a scene from Troy and discussing how the movie producers and directors transferred the story to the screen.
I’m going to divide the class into groups of 5. Your groups will each put on a dramatic presentation of how they interpret the events that occur in the “Death of Hector” from the Iliad. You can use the movie as inspiration, but remember what we discussed and how your might modify or adjust to fit the screen.
With about fifteen minutes left of class, I’ll call each group up to perform for us. Yes, this is a quick turnaround, and we all know it, so don’t freakout about being unprepared for the stage 🙂
Let’s vote and discuss! Who was the best? Why?
Process (Scaffolding, learning style); Product (different media possible for the plays)